74-year-old dancer Sonja Vukićević moves through socialist-modernist spaces, her body echoing Yugoslavia’s last mass performance. Intertwined with a teenage girl’s diary from 1988, the film traces the shift from socialist collectivism to rising nationalism.
Marta Popivoda is a filmmaker and artist whose work explores memory, history, and ideology from a feminist and queer perspective. Shown at Berlinale, IFFR, MoMA, Tate, MAXXI, etc., and winner of numerous awards, she teaches film at the AHK in Amsterdam and is a member of the European Film Academy.
